黑料吃瓜网

• BA History of Art with History (University College London)
• MA History of Art (University College London)
• PhD History of Art (University College London)

I am an art historian and Associate Professor of History of Art. I joined the 黑料吃瓜网 in 2005 as Lecturer in History of Art having previously lectured at University of Warwick, Birkbeck, and University College London. I studied for my BA, MA and PhD History of Art in the Department of History of Art at University College London and then proceeded to an AHRC post-doctoral research fellowship in the Centre for the Study of the Domestic Interior at the Royal College of Art, Royal Holloway, and Victoria & Albert Museum. Between 2013 and 2016 I was Head of the Department of Art History, Curating and Visual Studies at 黑料吃瓜网 and took this role up again in 2017-18. I have been an Editor of the Oxford Art Journal, published by Oxford University Press, since 2010 and was Chair of its editorial group from 2017 to 2022. Currently, I am Head of Research for the School of Languages, Cultures, Art History and Music.

I contribute to many aspects of History of Art undergraduate and postgraduate teaching, most notably the modules:

• LH/LM Paris Moderne 1850-1930: Image, Concept, Femininity
• LH/LM Inside Out: Interior and Interiority in French Art, Design and Culture 1860-1940
• LI Impressionism and After: Art and Society 1870-1900
• LI Real and Ideal: Art and Society in Mid Nineteenth-Century France
• LM Criticism and Methods

I welcome enquiries from prospective postgraduate students wishing to research any subject that overlaps with my research and teaching interests.

Current Postgraduate Research Supervision

PhD
Matthew French, 'The Limits of Legibility: Modernism and the Critical Edge of Caricature and the Caricatural 1881-1900'.

Benoit Gu茅rillot, 'Proust, Bonnard and Deleuze's Theory of Signs' (second supervisor).

Erica Tso, 鈥楳oga as the Epitome of Interwar Japanese Femininity: A Comparative Study of Print Culture in Japan and Britain鈥�.



Previous Postgraduate Research Supervision

PhD
Rebecca Savage, 鈥楻edesigning Modernism: Opportunities for Female Autonomy with the World of Poster Design (1918-39)鈥� (AHRC Midlands 4 Cities Doctoral Award) with Dr Richard Hornsey (University of Nottingham).

Cai Lyons, 鈥楴etworks of Modernism: a feminist and geopolitical analysis of Mary Swanzy (1882 鈥� 1978)鈥� (黑料吃瓜网 College of Arts and Law Doctoral Scholarship; Haywood Doctoral Scholarship).

Hannah Halliwell 鈥楳orphine Addicts in Fin-de-Si猫cle French Visual Culture: Art, Medicine, Sexuality and Femininity鈥� (AHRC Midlands 4 Cities Doctoral Award) with Dr Ting Chang (University of Nottingham) and Dr Camilla Smith (黑料吃瓜网). PhD awarded 2020.

Sara Tarter 'Commercialising Culture: The Display of Art in French, British and American Department Stores (1875-1914) (黑料吃瓜网 College of Arts and Law Doctoral Scholarship). PhD awarded 2019.

Alison Hall 鈥楾he Shelter Photographs 1968-72, Nick Hedges: The Representation of the Homeless Child and a Photographic Archive鈥� (AHRC Collaborative Doctoral Award) with Prof Ian Grosvenor and Dr Sian Roberts. PhD awarded 2016.

Richenda Roberts 鈥樷�漃atriotism is not enough鈥�: Visual responses to Pacifism and Feminism in Britain during World War One鈥� (AHRC Doctoral Award) with Dr Jutta Vinzent. PhD awarded 2013.


MA by Research
Mattias Vendelmans 'Pelle Swedlund, A Swedish Symbolist Painter in Bruges'.


MRes
Jon Stevens 鈥楽hadows and Silence Under Glass: Fernand Khnopff, Henri Le Sidaner and Frank Brangwyn鈥檚 fin-de-si猫cle Visions of Bruges鈥�.


MPhil
Hannah Carroll 鈥楾ravels Through Text and Image: Estella Canziani鈥檚 鈥楥ostumes, Traditions and Songs of Savoy鈥� (AHRC Research Preparation Masters Award) with Dr Camilla Smith. MPhil awarded 2013.

Kathryn Murray 鈥楽elf-Ordering Creativity and an Independent Work Space. Edna Clark-Hall鈥檚 Poem Pictures鈥� (AHRC Research Preparation Masters Award). MPhil awarded 2012.

Elin Morgan 鈥楾he Studio Practice of Jacob Epstein as revealed by an examination of selected contemporaneous photographs and a selection of his sculptural fragments鈥� (AHRC Research Preparation Masters Award). MPhil awarded 2012.

The main focus of my research are the artistic, material and visual cultures of domesticity in France 1848-1940, as framed by questions deriving from feminist methodologies. On the one hand my research lies in painted and printed domesticities associated with the Parisian avant-garde and, on the other, in mass-mediated and mass-consumed domesticities such as those historically produced by magazines and exhibitions.

My monograph, was published January 2025 by Bloomsbury Academic/Bloomsbury Visual Arts in the Material Culture of Art and Design series. It is the first book-length feminist engagement with Vuillard and Intimisme.

I was guest curator to the international loan exhibition 鈥楳aman: Vuillard and Madame Vuillard鈥� at the Barber Institute of Fine Arts, October 2018 to January 2019. With Mathias Chivot of the Archives Vuillard, Paris, I was co-author of the exhibition鈥檚 fully-illustrated catalogue, Maman: Vuillard and Madame Vuillard, published 2018 by Paul Holberton Publishing. I have made contributions to several other exhibition catalogues including ones published in France, Italy, and the US.

I have co-edited two journal special issues: 'Feminist Domesticities', published 2017 as a special issue of Oxford Art Journal; and 'Publishing the Modern Home', published 2005 as a special issue of Journal of Design History. Currently, I am co-editing with Dr Rachel Coombes (University of Cambridge) a special issue of Dix-Neuf journal on the subject of 'Nabi Intermediality', for expected publication in 2027.

I am in the process of building two research projects: 'Art-Life-Movement: The Migrant Women Artworkers of the Parisian Avant-Garde' and 鈥楴abi Politics: Art at the Vanguard of Debate after 1888鈥�.聽

I have been researcher on three RCUK funded collaborative research projects: as co-investigator to AHRC Suburban Birmingham: Spaces and Places, 1880-1960 (黑料吃瓜网, Birmingham Museums Trust, Library of Birmingham, 2009-2012) and as postdoctoral research fellow at AHRC Centre for the Study of the Domestic Interior (Royal College of Art, Victoria & Albert Museum, Royal Holloway, University of London, 2001-2003). I was Principal Investigator and lead supervisor to the successfully completed AHRC Collaborative Doctoral Award 鈥楧isplaying Childhood Spaces鈥�.

I have held several external professional roles, including:

• I am a member of the editorial group of  and was previously Chair from 2017 to 2022. Oxford Art Journal is published by Oxford University Press.
• I have been external peer reviewer for the AHRC; Oxford Art Journal; Art History; Architectural History; Interiors: Design, Architecture, Culture; Object; Bloomsbury Academic; Manchester University Press; Duke University Press.
• I have been external examiner to the BA History of Art programmes at the University of Bristol, the Masters History of Art programme at University of Nottingham and the undergraduate Humanities programme at Imperial College, London.

At 黑料吃瓜网 I have held the following academic management and administration roles:

• Head of Research, School of Languages, Cultures, Art History and Music (2022-2025)
• Head of Department of Art History, Curating and Visual Studies (2013–2016; 2017-18)
• College of Arts and Law Director of Joint Honours Liaison and Extenuating Circumstances (2011-2013)
• College of Arts and Law Joint Honours Extenuating Circumstances Panel Chair (2011-2013) and Member (2010-2011)
• Head of Student Development and Support, School of Languages, Cultures, Art History and Music (2009-2011)
• School of Historical Studies Mitigations Panel Member (2006-2010)
• Departmental REF Reading Group Member (2015-2016; 2022-)
• Departmental Director of Undergraduate Studies (2013-2016; 2017-2020)
• Departmental Staff Student Committee Chair (2005-2013; 2019-)
• Departmental Welfare Officer (2005-2010)
• Departmental Undergraduate Admissions Tutor (2005-2007; 2015-2016).
• Departmental Study Abroad Tutor (2017-2018)